Stories from the Guilty

Matt Jenkins
Gunnison, Colorado



(warning, this story contains graphic violence and subject matter, and is not suitable for readers of all ages.)


Nothing is worse than the smell of burning hair.

Blonde curls crackling like a greasy pan of eggs.

I honestly, sincerely regret what I did.

And looking at the grout between the concrete blocks, I realize regret is all I have. No drywall. No wallpaper or latex paint. Just chipped concrete that never bleeds or sweats or cries.

I want one of those posters like Needham has. He’s in bed across the hall, arms folded . . . staring.

My vision’s better than it’s ever been.

Funny.

You could almost die laughing inside these angry walls.

Needham’s poster is from some television show, or that’s what one of the guards told him. We don’t exactly get cable— and the two hours a week of local broadcasts are usually news or TBN.

The guard said something about sex . . . which he’s never supposed to do.

Maybe that’s why I started writing this.

The mention of sex.                    Sex.                    SEX.

Sex and the City.

The only window in this entire chasm is a poster on Jack Needham’s wall.

The lady with a laptop. A blonde river across her shoulders. Those determined, working eyes.

You can tell all those Capital-Punishment banshees they’re wrong; this is fucking torture.

I can’t stand it.

Fuckingterrible cant fuckinstand



Sorry. That poster with the blonde got me thinking about the smell.

The burning.

The copper-wire, overheat smell of an innocent woman’s screams.

I want to tell you a story. Three acts, two people, all true.

You probably know the end, but it’s the middle that’s important.

And remember: I truly, honestly, sincerely do regret it.

Keep that in mind . . .





 

IN MY LIFE

 

by

 

 

Richard Eisley Webster

 

 

 

Richard loved a girl.

All his life he needed something, only to find empty rooms. When his mother left— Richard five, Dad twenty-two— every word was WHORE and SLUT and almost always ADULTERY. As he aged, these words bounced around the rubbery insides of his brain, never to find an exit or release.

Freshman year of high-school, he was assigned a seat which would change his life.

Madeline.

What a beautiful name, he thought.

Then the words stabbed thorn-pricks in his brain. Women are SLUTS, are WHORES, women commit ADULTERY. Women are women are—

He didn’t speak to her.

Through the days and weeks which followed, he learned that she spoke even less than he did. Her eyes were always on her work, or at the blackboard or towards the door.

They were so similar.

I bet her father left her. I bet he left and she hears the same words I do. I bet her brain hurts when they jump around inside, just like me.

On the classroom door, an orange leaflet was taped so students would see it as they entered.


 

HALLOWEEN DANCE: PROCEEDS TO BENEFIT FCA

 



Richard eye’s widened, pulsed, understood.

With every emotion bubbling over, the old words didn’t ricochet in his mind. He realized the only person who understood life and pain and confusion was the beautiful girl sitting next to him.

Five minutes before the bell rang, the class crouched over their workbooks.

A whisper in the silence like the crackle of leaves underfoot.

“Excuse me,” he asked.

A swish of blonde hair, not romantic, not a movie star’s feigned dilettante. Simple, kind interest.

“Yes?”

“I was wondering . . . the poster on the door . . . if—”

At the classroom’s head a broken, old-woman jag: “Mr. Webster, your work, please.”

—oldwomanpointednoseSLUTWHORE—

“Could you . . . maybe . . . if you’re not going with anyone—”

“Sure. Let’s talk after class, okay?”

Calm. Pure. No hint of evil or treachery.

Dad was wrong, Richard thought at his desk. Dad was wrong.

After the bell, amid the commotion of papers and zipping book-bags, she stood before him. A slip of paper. Curved lines and fluid handwriting.

“Here’s my number. Call me tonight, Rick.”

Rick.

He was a king on the walk home. Pride mixed in with happiness. But for the first time in his adolescent life, he questioned his father’s honesty.



Dinner was sandwiches, like every night. His father started drinking after they ate, so he broached the subject of the dance beforehand.

“Dad, I need a ride this weekend. A thing for school.”

“What kind of thing?” A muffled mouthful. Scowling.

“A . . . dance.”

The man’s eyebrows rose from their leveled frown and he put down the sandwich.

Wiping the corners of his mouth, he growled “Get me a can.”

SNAP and hiss of the beer. Gulping

“Son, you’re getting to an age when you need to hear something. You know what your mother did, so I won’t bring it up. And I don’t want you going queer or sumthin’.” His eyes lost Richard’s as he spoke, “But remember one thing about life, boy. Never trust a woman. Sluts, mostly. Not a one of ‘em wouldn’t fuck ‘yer brother for a dollar or two more. Remember it.”

Richard did, though he strangely associated Madeline as something his father couldn’t or wouldn’t understand.

“So, will you give us a ride?”

“Us?”

“Yes, sir. I’ve invited someone from school . . . A girl.”

“No. Get her father to drive. I don’t want nothing to do with no slut from school. You can make your own bed in that department.” His father laughed at his own joke, the sound following Richard as he walked towards the phone.

Two rings.

Three.

Four— then a coughing answer.

“H-Hello?”

“Is Madeline there, please?”

“Who’s this?” a woman’s voice. Not angry, not threatening. Probably her mother.

“My name is Richard Webster. Rick. I go to school with Madeline. I hope I haven’t called too late.”

“No, son. Not at all. Let me get her.”

Waiting on the phone, he heard another SNAP from the kitchen; his father opening the next beer.

“Hello, Rick?”

“Madeline. I missed you after school, so I thought I’d call later.” Nervous, hoping the shake in his voice wasn’t audible

“That’s cool.”

“About the dance . . . I’d like to, uh, to take you if . . . you know, you’re not already going with some—”

“I’d love to.”

“It’s just. I don’t have a car and my dad can’t take us. Could, maybe your dad drive?”

An uncomfortable pause.

“Madeline?”

“My, uh . . . my father’s gone, Rick.”

I knew it, his mind screamed. I knew we were the same.

“But I’m sure my mother wouldn’t mind taking us.”

“That’d be great. I’ll meet you at Stan’s at six thirty.”

Within walking distance, Stan’s waffle-shop was the closest Richard could reach.

“Great. And thanks Rick. I’m really looking forward to it.”

. . .



Sorry. Hand’s getting tired.

Think I’ll give that tray a go. Guard brought it about an hour ago and it’s probably cold by now. He’s a new guy, one I haven’t seen in the forty-seven months since my transfer.

Needham fell asleep while I was writing, but the poster’s still looking down on him.

On all of us, I guess . . .

So that was Act One. You’ve got the characters and setting. Maybe even have a feel for what’s gonna happen. I’m trying not to think about what the guard said or what the poster shows. Don’t want to jade the picture for you.

No clocks in the hall or showers. Guess they don’t want us counting off days and going crazy from the eternity of numbers.

New guy wore his watch, though. Must’ve forgotten his briefing.

The digital numbers read 11:01 P.M. and that gives me about an hour more to write.

Supper was good. Cold potatoes and cube steak. Washed it down with their luke-warm Styrofoam coffee.

Gotta catch things early or they wind up ruined.

. . .

Laughing again.

Reread that last line and realized it starts the middle scene.

Here goes.


 

IN MY LIFE

(cont’d.)




Richard loved the girl.

Her grip on his arm as they entered the gymnasium was what poets write. Chin firm, neck arrow-straight, he felt he could explain to Kings how they were expected to act.

Look at me, Dad. Look at happiness. Look at what a woman can be.

All of a sudden, people knew him. Knew his name and wanted to talk to him.

He worried that the dancing wouldn’t come to him, but two hours later, brow sweating, he found it a joy rather than a challenge.

Slow music: arms across her neck.

Fast: hands on her hips, interchange.

It came quickly, and more importantly, it fit. Never had anything been so purely right.

At the end of the night, last song, he leaned in and kissed her.

Madeline noticed his shaking. But miraculously, she didn’t seem to mind.

When their lips parted, he leaned in, close to her ear.

“I think you’re perfect, Madeline. This . . . this whole night, has just been . . .”

“Perfect” she said. Not a whisper. Her voice was clear enough for anyone to hear.

The lights came on exposing coupled dwarves all motioned in pairs. The body odor and pheromones were like a visible cloud surrounding everything.

Amplified chaperones: “Happy Halloween, everyone. Let’s all head out to Walker field for the annual Baptist Bonfire!”



Pygmies.

Or maybe Indians on some uninhabited island.

The flames danced three times higher than any man. Broken shipping-palettes and driftwood were piled atop each other.

Couples held hands.

He would think later that nothing could be stranger. Church people dancing around a pagan blaze. Faithless celebration.

In the decades to follow, he would understand that duplicity was the heart of man.

When the fire caught its crescendo, Madeline and Rick crouched in the shadows. Each preferred sitting and watching. People danced and ran and ambled around them.

But all they did was watch each other.

Maybe we’re too close to the flames, he thought before the pinnacle moment. Maybe we’ll get burned.

And the next kiss was the sweetest.

Candy lips as her tongue danced and searched.

His spine tingled with electricity. One hand on his cheek, another tracing the front of his jeans. They moaned in unison, feeling some cliff edge, seeing the purpose that togetherness wrought.

It was fire—

Ecstasy—

Unknown reaches and newly found meaning—

Thank you, God. Oh, thank you.

In their link, a rolling, unstoppable heat resonated. Between them burned a power so cleanly good it couldn’t be contained.

The hand on Richard’s shoulder broke more than their moment.

“Aaah!”

“Time to go, sweeties,” the voice portentous amid the son’s painful yowls. “Car’s runnin’ and Madeline needs to git’.”

As Richard turned, the flair of his broken collarbone screamed a red shriek in his mind.

He heard the old words returning even before his father grabbed her.

“Gonna get you two outta here.”

—SLUT—

“Find us a place to do some talkin’.”

—WHORE—

“Show Ricky what a woman really says and does.”

—ADULTERYWHORESLUTWRONGWRONGWRONG—

In the darkness, no one heard the car door slam . . . or the pleas of a broken son.

. . .



Last time I stop. Lights out in twenty minutes and that means midnight’s close.

We’re almost there and I realize why I really started writing this.

Dear Diary,

I’ve decided to hang myself. Yours truly, Richard.



Sorry again.

Cried.

Thought about that die-laughing thing and wished it was possible. If you’re reading this, its over with and what I couldn’t say in court is finally told.

Honesty’s the best policy, so listen up. I want my last words to be clean and clear:

What’s the difference between a blonde and a pepperoni pizza?

A pizza doesn’t scream when you put it in the oven.


 

IN MY LIFE

(finale)




Richard loved Madeline.

That was his first thought upon waking.

“Wake up, boy”

Dad.

The man’s profile was a blurry close-up in Richard’s vision. Eyes wider than they’d ever been.

“Lookie here, son,” he motioned towards the homemade fulgurate, “Think I finally found your Mom.”

Salem witches.

My God, the stake. The witches, the stake the fire, bonfire.

The girl contained her screaming until Richard woke.

When his head moved, the silence broke with a belt of screaming pleas.

“Oh God, Rick. Please! It hurts so much! I’m on fire! I’m burning! I’m—”

Richard’s wrists bound, his father stood and kicked his back. The boy’s torso shot forward and he got the clearest, most grotesque vision he would ever see.

Forever it stayed with him; seared into his mind like a hang-rope neck scar.

Her hands were behind her so only her blonde hair could move. Thrashing screams echoed along the empty, darkened plain. No one heard her burning.

“Dad. Oh my God, Dad, NO!” Richard’s supplication evolved into sobbing as her hair caught ablaze.

She writhed, shrieked, pleaded for mercy. And all the boy could do was cry with her.

The struggling slowed as her skin caught and her body jerked in smaller turns.

Then stilled.

As the fire burned to embers, Richard’s sobs abated.

Phoenix-like, his soul left with her, leaving only an empty, motionless husk . . . black with his father’s flame.

One more kick and Richard’s eyes closed. His father’s words etched a charcoal trail into unconsciousness.

“Gonna keep lookin’ for her, Ricky. Momma’s out there somewhere.”

Verging blackness, he felt the binds on his wrists disappear. “Speak word or reason ’bout what just happened and I’d have to kill that girl’s momma.”

Something was stuffed in Richard’s pockets and palm— a gas can dropped by his arm.

“And kill her aunts and granny and sisters and cousins . . . Hell, I’d havta’ burn damn near ever woman she’s kin to.”

Footsteps whispered as a siren started, miles away.

With the sizzle of the fire, his father’s mad words trailed out into the smoking, cindered night.

And because he knew the hatred which consumed the man was equaled by his dedication towards any goal, he knew his father spoke truth. If Richard mentioned a single word about what had happened, Madeline’s family would burn.

No mercy or regret.

No thoughts of punishment.

His father would torture any woman without remorse.

He’d promised.

These thoughts followed Richard into a shocked unconsciousness where the fear of what could happen blanketed everything. Eyes closed, the smell of burning flesh merged with a solitary whisper through the swaying grass.

“Remember . . .”

THE END

 

12:01 A.M.

I am so sorry, Madeline.

THE END